$599.00

When the SRM450v2 loudspeakers are on stage, no matter where you stand, you hear sound with impeccable stereo imaging, depth of field and definition—at full-on loudspeaker levels.

Key Features:

• 2-way bi-amplified, optimized Active loudspeaker system
• High-output precision titanium compression driver
• Neodymium long-throw low frequency transducer with 3-inch voice coil
• Servo Feedback controlled woofer for tight low-end punch
• 300W class-D, Fast Recovery LF amp / 100W HF amp
• Ultra-wide, smooth dispersion via multi-cell horn aperture and HF waveguide
• Built-in phase-accurate 24dB Linkwitz-Riley electronic crossover
• Mackie Active Electronic time alignment, phase correction and EQ for studio quality sound
• Mic/line input and pass-thru connector
• Lightweight for ultimate portability (40lbs)
• Flyable, Pole Mountable, Floor Wedge-able

 

 

The “SRM” Stands for Sound Reinforcement Monitor
Over a decade ago, Greg Mackie and a dedicated team of engineers set out to create a portable loudspeaker that could deliver studio monitor sound quality. Unlike a relatively small, acoustically controlled studio where the “sweet spot” is well defined, live venues vary greatly, and most are far from acoustically balanced. Despite the challenges, after two years of extensive research and development, the first Sound Reinforcement Monitor was born—a loudspeaker that truly lived up to its name. The SRM450v2 continues the SRM450’s tradition of studio monitor sound quality—and trumps it—to deliver sound that makes any venue seem like a well-tuned studio.

When the SRM450v2 loudspeakers are on stage, no matter where you stand, you hear sound with impeccable stereo imaging, depth of field and definition—at full-on loudspeaker levels. This is due to the SRM450v2’s wide dispersion pattern, which is achieved through its multi-cell horn throat aperture. To those of you whose eyes just glazed over, let’s just tell you what it does—the multi-cell horn throat aperture allows for much wider and more even dispersion of high and mid frequencies, so whether you’re listening intently front and center, or playing it cool on the perimeter, you’ll hear the same great mix.